Lord of Misrule (The Morganville Vampires #5) - Page 9

Some of them were familiar, at least by sight–people from town: the owner of the music store where Michael worked; a couple of nurses she'd seen at the hospital, who still wore brightly colored medical scrubs and comfortable shoes. The rest, Claire barely knew at all, but they had one thing in common–they were all scared.

An older, hardlooking woman grabbed Claire by the shoulders. "Thank God you're home," she said, and hugged her. Claire, rigid with surprise, cast Shane a whatthehell look, and he shrugged helplessly. "This damn house won't do anything for us. The lights keep going out, the doors won't open, food goes bad in the fridge–it's as if it doesn't want us here!"

And it probably didn't. The house could have ejected them at any time, but obviously it had been a bit uncertain about exactly what its residents might want, so it had just made life uncomfortable for the intruders instead.

Claire could now feel the airconditioning switching on to cool the overheated air, hear doors swinging open upstairs, see lights coming on in darkened areas.

"Hey, Celia," Shane said, as the woman let go of Claire at last. "So, what brings you here? I figured the Barfly would be doing good business tonight."

"Well, it would be, except that some jerks came in and said that because I was wearing a bracelet I had to serve them for free, on account of being some kind of sympathizer. What kind of sympathizer, I said, and one of them tried to hit me."

Shane lifted his eyebrows. Celia wasn't a young woman. "What did you do?"

"Used the Regulator." Celia lifted a baseball bat propped against the wall. It was old hardwood, lovingly polished. "Got myself a couple of home runs, too. But I decided maybe I wouldn't stay for the extra innings, if you know what I mean. I figure they're drinking me dry over there right now. Makes me want to rip my bracelet off, I'll tell ya. Where are the damn vampires when you need them, after all that?"

"You didn't take your bracelet off? Even when they gave you the chance?" Shane seemed surprised. Celia gave him a glare.

"No, I didn't. I ain't breaking my word, not unless I have to. Right now, I don't have to."

"If you take it off now, you may never need to put it on again."

Celia leveled a wrinkled finger at him. "Look, Collins, I know all about you and your dad. I don't hold with any of that. Morganville's an allright place. You follow the rules and stay out of trouble–about like anyplace, I guess. You people wanted chaos. Well, this is what it looks like–people getting beaten, shops looted, houses burned. Sure, it'll settle down sometime, but into what? Maybe no place I'd want to live."

She turned away from him, shouldered her baseball bat, and marched away to talk with a group of adults her own age.

Shane caught Claire looking at him, and shrugged. "Yeah," he sighed. "I know. She's got a point. But how do we know it won't be better if the vamps just–"

"Just what, Shane? Die? What about Michael, have you thought about him? Or Sam?" She stomped off.

"Where are you going?"

"To get a Coke!"

"Would you–"

"No!"

She twisted the cap off the Coke she'd retrieved from the fridge–which was stocked up again, although she knew it hadn't been when they'd left. Another favor from the house, she guessed, although how it went shopping on its own she had no idea.

The cold syrupy goodness hit her like a brick wall, but instead of energizing her, it made her feel weak and a little sick. Claire sank down in a chair at the kitchen table and put her head in her hands, suddenly overwhelmed.

It was all falling apart.

Amelie was calling the vampires, probably going to fight Bishop to the death.

Morganville was ripping itself in pieces. And there was nothing she could do.

Well, there was one thing.

She retrieved and opened four more bottles of Coke, and delivered them to Hannah, Eve, Shane, and–because it felt mean to leave her out at a time like this–Monica.

Monica stared at the sweating bottle as if she suspected Claire had put rat poison in it. "What's this?"

"What does it look like? Take or don't, I don't really care." Claire put it down on the table next to where Monica sat, and went to curl up on the couch next to Shane. She checked her cell phone. The network was back up again, at least for the moment, and she had a ton of voice mails. Most were from Shane, so she saved them to listen to later; two more were from Eve, which she deleted, since they were instructions on where to find her.

The last one was from her mother. Claire caught her breath, tears pricking in her eyes at the sound of Mom's voice. Her mother sounded calm, at least–mostly, anyway.

Claire, sweetie, I know I shouldn't be worrying but I am. Honey, call us. I've been hearing some terrible things about what's happening out there. Some of the people with us here are talking about fights and looting. If I don't hear from you soon–well, I don't know what we'll do, but your father's going crazy. So please, call us. We love you, honey. Bye.

Claire got her breathing back under control, mainly by sternly telling herself that she needed to sound together and completely in control to keep her parents from charging out there into the craziness. She had it more or less managed by the time the phone rang on the other end, and when her mother picked it up, she was able to say, "Hi, Mom," without making it sound like she was about to burst into tears. "I got your message. Is everything okay there?"

"Here? Claire, don't you be worrying about us! We're just fine! Oh, honey, are you okay? Really?"

"Honestly, yes, I'm okay. Everything's–" She couldn't say that everything was okay, because of course it wasn't. It was, at best, kind of temporarily stable. "It's quiet here. Shane's here, and Eve." Claire remembered that Mom had liked Monica Morrell, and rolled her eyes. Anything to calm her fears. "That girl from the dorm, Monica, she's here, too."

"Oh, yes, Monica. I liked her." It really did seem to help, which was not exactly an endorsement of Mom's character judging ability. "Her brother came by here to check on us about an hour ago. He's a nice boy."

Claire couldn't quite imagine referring to Richard Morrell as a boy, but she let it go. "He's kind of in charge of the town right now," she said. "You have the radio, right? The one we dropped off earlier?"

"Yes. We've been doing everything they say, of course. But honey, I'd really like it if you could come here. We want to have you home, with us."

"I know. I know, Mom. But I think I'd better stay here. It's important. I'll try to come by tomorrow, okay?"

They talked a little more, about nothing much, just chatter to make life seem kind of normal for a change. Mom was holding it together, but only barely; Claire could hear the manic quaver in her voice, could almost see the bright tears in her eyes. She was going on about how they'd had to move most of the boxes into the base ment to make room for all the company–company?–and how she was afraid that Claire's stuff would get damp, and then she talked about all the toys in the boxes and how much Claire had enjoyed them when she was younger.

Normal Mom stuff.

Claire didn't interrupt, except to make soothing noises and acknowledgments when Mom paused. It helped, hearing Mom's voice, and she knew it was helping her to talk. But finally, when her mother ran down like a springwound clock, Claire agreed to all the parental requirements to be careful and watch out and wear warm clothes.

Goodbye seemed very final, and once Claire hung up, she sat in silence for a few minutes, staring at the screen of her cell phone.

On impulse, she tried to call Amelie. It rang and rang. No voice mail.

In the living room, Shane was organizing some kind of sentry duty. A lot of people had already crashed out in piles of pillows, blankets, sometimes just on a spare rug. Claire edged around the prone bodies and motioned to Shane that she was going upstairs. He nodded and kept talking to the two guys he was with, but his gaze followed her all the way.

Eve was in her bedroom, and there was a note on the door that said DO NOT KNOCK OR I WILL KILL YOU. THIS MEANS YOU, SHANE. Claire considered knocking, but she was too tired to run away.

Her bedroom was dark. When she'd left in the morning, Eve's kindoffriend Miranda had been sleeping here, but she was gone, and the bed was neatly made again. Claire sat down on the edge, staring out the windows, and then pulled out clean underwear and her last pair of blue jeans from the closet, plus a tight black shirt Eve had lent her last week.

The shower felt like heaven. There was even enough hot water for a change. Claire dried off, fussed with her hair a bit, and got dressed. When she came out, she listened at the stairs, but didn't hear Shane talking anymore. Either he was being quiet, or he'd gone to bed. She paused next to his door, wishing she had the guts to knock, but she went on to her own room instead.

Shane was inside, sitting on her bed. He looked up when she opened the door, and his lips parted, but he was silent for a long few seconds.

"I should go," he finally said, but he didn't get up.

Claire settled in next to him. It was all perfectly correct, the two of them sitting fully dressed like this, but somehow she felt like they were on the edge of a cliff, both in danger of falling off.

It was exciting, and terrifying, and all kinds of wrong.

"So what happened to you today?" she asked. "In the Bloodmobile, I mean?"

"Nothing really. We drove to the edge of town and parked outside the border, where we'd be able to see anybody coming. A couple of vamps showed, trying to make a withdrawal, but we sent them packing. Bishop never made an appearance. Once we lost contact with the vampires, we figured we'd cruise around and see what was going on. We nearly got boxed in by a bunch of drunk idiots in pickup trucks, and then the vampires in the Bloodmobile went nuts–that call thing going off, I guess. I dropped them at the grain elevator–that was the biggest, darkest place I could find, and it casts a lot of shadows. I handed off the driving to Cesar Mercado. He's supposed to drive it all the way to Midland tonight, provided the barriers are down. Best we can do."

"What about the book? Did you leave it on board?"

In answer, Shane reached into his waistband and pulled out the small leatherbound volume. Amelie had added a lock on it, like a diary lock. Claire tried pressing the small, metal catch. It didn't open, of course.

"You think you should be fooling with that thing?" Shane asked. "Probably not." She tried prying a couple of pages apart to peek at the script. All she could tell was that it was handwritten, and the paper looked relatively old. Oddly, when she sniffed it, the paper smelled like chemicals.

"What are you doing?" Shane looked like he couldn't decide whether to be repulsed or fascinated.

"I think somebody restored the paper," she said. "Like they do with really expensive old books and stuff. Comics, sometimes. They put chemicals on the paper to slow down the aging process, make the paper whiter again."

"Fascinating," Shane lied. "Gimme." He plucked the book from her hands and put it aside, on the other side of the bed. When she grabbed for it, he got in her way; they tangled, and somehow, he was lying prone on the bed and she was stretched awkwardly on top of him. His hands steadied her when she started to slide off.

"Oh," she murmured. "We shouldn't–"

"Definitely not."

"Then you should–"

"Yeah, I should."

But he didn't move, and neither did she. They just looked at each other, and then, very slowly, she lowered her lips to his.

It was a warm, sweet, wonderful kiss, and it seemed to go on forever. It also felt like it didn't last nearly long enough. Shane's hands skimmed up her sides, up her back, and cupped her damp hair as he kissed her more deeply. There were promises in that kiss.

"Okay, red flag," he said. He hadn't let her go, but there was about a half an inch of air between their lips. Claire's whole body felt alive and tingling, pulse pounding in her wrists and temples, warmth pooling like light in the center of her body.

"It's okay," she said. "I swear. Trust me."

"Hey, isn't that my line?"

"Not now."

Kissing Shane was the reward for surviving a long, hard, terrifying day. Being enfolded in his warmth felt like going to heaven on moonbeams. She kicked off her shoes, and, still fully dressed, crawled under the blankets. Shane hesitated.

"Trust me," she said again. "And you can keep your clothes on if you don't."

They'd done this before, but somehow it hadn't felt so… intimate. Claire pressed against him, back to front under the covers, and his arms went around her. Instant heat.

She swallowed and tried to remember all those good intentions she'd had as she felt Shane's breath whisper on the back of her neck, and then his lips brushed her skin. "So wrong," he murmured. "You're killing me, you know."

"Am not."

"On this, you'll have to trust me." His sigh made her shiver all the way to her bones. "I can't believe you brought Monica back here."

"Oh, come on. You wouldn't have left her out there, all alone. I know you better than that, Shane. Even as bad as she is–" "The satanic incarnation of evil?"

"Maybe so, but I can't see you letting them get her and… hurt her." Claire turned around to face him, a squirming motion that made them wrestle for the covers. "What's going to happen? Do you know?"

"What am I, Miranda the teen screwedup psychic? No, I don't know. All I know is that when we get up tomorrow, either the vampires will be back, or they won't. And then we'll have to make a choice about how we're going to go forward."

"Maybe we don't go forward. Maybe we wait."

"One thing I do know, Claire: you can't stay in the same place, not even for a day. You keep on moving. Maybe it's the right direction, maybe not, but you still move. Every second things change, like it or not."

She studied his face intently. "Is your dad here? Now?"

He grimaced. "Truthfully? No idea. I wouldn't be surprised. He'd know that it was time to move in and take command, if he could. And Manetti's a running buddy from way back. This kind of feels like Dad's behind it."

"But if he does take over, what happens to Michael? To Myrnin? To any other vampire out there?"

"Do you really need me to tell you?"

Claire shook her head. "He'll tell people they have to kill all the vampires, and then, he'll come after the Morrells, and anybody else he thinks is responsible for what happened to your family. Right?"

"Probably," Shane sighed.

"And you're going to let all that happen."

"I didn't say that."

"You didn't say you weren't, either. Don't tell me it's complicated, because it isn't. Either you stand up for something, or you lie down for it. You said that to me one time, and you were right." Claire burrowed closer into his arms. "Shane, you were right then. Be right now."

He touched her face. His fingers traced down her cheek, across her lips, and his eyes–she'd never seen that look in his eyes. In anyone's, really.

"In this whole screwedup town, you're the only thing that's always been right to me," he whispered. "I love you, Claire." She saw something that might have been just a flash of panic go across his expression, but then he steadied again. "I can't believe I'm saying this, but I do. I love you."

He said something else, but the world had narrowed around her. Shane's lips kept moving, but all she heard were the same words echoing over and over inside her head like the tolling of a giant brass bell: I love you.

He sounded like it had taken him completely by surprise–not in a bad way, but more as if he hadn't really understood what he was feeling until that instant.

She blinked. It was as if she'd never really seen him before, and he was beautiful. More beautiful than any man she'd ever seen in her entire life, ever.

Whatever he was saying, she stopped it by kissing him. A lot. And for a very long time. When he finally backed up, he didn't go far, and this look in his eyes, this intense and overwhelming need–that was new, too.

And she liked it.

"I love you," he said, and kissed her so hard he took her breath away. There was more to it than before–more passion, more urgency, more… everything. It was as if she were caught in a tide, carried away, and she thought that if she never touched the shore again, it would be good to drown like this, just swim forever in all this richness.

Red flag, some part of her screamed, come on, red flag. What are you doing?

She wished it would just shut up.

"I love you, too," she whispered to him. Her voice was shaking, and so were her hands where they rested on his chest. Under the soft Tshirt, his muscles were tensed, and she could feel every deep breath he took. "I'd do anything for you."

She meant it to be an invitation, but that was the thing that shocked sense back into him. He blinked. "Anything," he repeated, and squeezed his eyes shut.

"Yeah. I'm getting that. Bad idea, Claire. Very, very bad."

"Today?" She laughed a little wildly. "Everything's crazy today. Why can't we be? Just once?"

"Because I made promises," he said. He wrapped his arms around her and pulled her close, and she felt a groan shake his whole body. "To your parents, to myself, to Michael. To you, Claire. I can't break my word. It's pretty much all I've got these days."

"But… what if–"

"Don't," he whispered in her ear. "Please don't. This is tough enough already."

He kissed her again, long and sweetly, and somehow, it tasted like tears this time. Like some kind of goodbye.

"I really do love you," he said, and smoothed away the damp streaks on her cheeks. "But I can't do this. Not now."

Before she could stop him, he slid out of bed, put on his shoes, and walked quickly to the door. She sat up, holding the covers close as if she were naked underneath, instead of fully clothed, and he hesitated there, one hand gripping the doorknob.

"Please stay," she said. "Shane–"

He shook his head. "If I stay, things are going to happen. You know it, and I know it, and we just can't do this. I know things are falling apart, but–" He hitched in a deep, painful breath. "No."

The sound of the door softly closing behind him went through her like a knife.

Claire rolled over, wretchedly hugging the pillow that smelled of his hair, sharing the warm place in the bed where his body had been, and thought about crying herself to sleep.

And then she thought of the dawning wonder in his eyes when he'd said, I love you.

No. It was no time to be crying.

When she did finally sleep, she felt safe.

8

Three hours later, they didn't know much more, except that nothing they tried to do to keep the vampires from leaving seemed to work, apart from tranquilizing them and locking them up in sturdy cells. Tracking those who did leave wasn't much good, either. Claire and Hannah ended up at the Glass House, which seemed like the best place to gather–central to most things, and close to City Hall in an emergency.

Richard Morrell arrived, along with a few others, and set up shop in the kitchen. Claire was trying to figure out what to do to feed everybody, when there was another knock at the door.

It was Gramma Day. The old woman, straightbacked and proud, leaned on her cane and stared at Claire from age faded eyes. "I ain't staying with my daughter," she said. "I don't want any part of that."

Claire quickly moved aside to let her in, and the old lady shuffled inside. As Claire locked the door behind her, she asked, "How did you get here?"

"Walked," Gramma said. "I know how to use my feet just fine. Nobody bothered me." Nobody would dare, Claire thought. "Young Mr. Richard! Are you in here?"

"Ma'am?" Richard Morrell came out of the kitchen, looking very much younger than Claire had ever seen him. Gramma Day had that effect on people. "What are you doing here?"

"My fool daughter's off her head," Gramma said. "I'm not having any of it. Move out of the way, boy. I'm making you some lunch." And she tapped her cane right past him, into the kitchen, and clucked and fretted over the state of the kitchen while Claire stood by, caught between giggles and horror. She was just a pair of hands, getting ordered around, but at the end of it there was a plate full of sandwiches and a big jug of iced tea, and everybody was seated around the kitchen table, except for Gramma, who'd gone off into the other room to rest. Claire had hesitantly taken a chair, at Richard's nod. Detectives Joe Hess and Travis Lowe were also present, and they were gratefully scarfing down food and drink. Claire felt exhausted, but they looked a whole lot worse. Tall, thin Joe Hess had his left arm in a sling–broken, apparently, from the brace on it–and both he and his rounder, heavier partner had cuts and bruises to prove they'd been in a fight or two.

"So," Hess said, "any word on where the vampires are heading when they take off?"

"Not so far," Richard said. "Once we started tracking them, we could keep up only for a while, and then they lost us."

"Aren't they hurt by the sun?" Claire asked. "I mean–"

"They start smoking, not in the Marlboro way, and then they start crisping," Travis Lowe said around a mouthful of turkey and Swiss. "The older ones, they can handle it okay, and anyway, they're not just charging out there anymore. They're putting on hats and coats and blankets. I saw one wrapped up in a SpongeBob rug from some kid's bedroom, if you can believe that. It's the younger vamps that are in trouble. Some of them won't make it to the shade if they're not careful."

Claire thought about Michael, and her stomach lurched. Before she even formed the question, Richard saw her expression and shook his head. "Michael's okay," he said. "Saw to it myself. He's got himself a nice, secure jail cell, along with the other vampires we could catch before it was too late. He's not as strong as some of the others. He can't bend steel with his bare hands. Yet, anyway."

"Any word on–" Claire was wearing out the question, and Richard didn't even let her finish it.

"No sign of Eve," he said. "No word from her. I'd try to put a GPS track on her phone, but we'd have to bring the cell network up, and that's too dangerous right now. I've asked the guys on the street to keep an eye out for her, but we've got a lot of things going on, Claire."

"I know. But–" She couldn't put it into words, exactly. She just knew that somewhere, somehow, Eve was in trouble, and they needed to find her.

"So," Joe Hess said, and stood up to look at a blownup map of Morganville taped to the wall. "This still accurate?" The map was covered in colored dots: blue for locations held by those loyal to Amelie; red for those loyal to Bishop; black for those burned or otherwise put out of commission, which accounted for three Founder Houses, the hospital, and the blood bank.

"Pretty much," Richard said. "We don't know if the vampires are leaving Bishop's locations, but we know they're digging in, just like Amelie's folks. We can verify locations only where Amelie's people were supposed to be, and they're gone from just about every location we've got up in blue."

"Where were they last seen?"

Richard consulted notes, and began to add yellow dots to the map. Claire saw the pattern almost immediately. "It's the portals," she said. "Myrnin got the portals working again, somehow. That's what they're using."

Hess and Lowe looked blank, but Richard nodded. "Yeah, I know about that. Makes sense. But where are they going?"

She shrugged helplessly. "Could be anywhere. I don't know all the places the portals go; maybe Myrnin and Amelie do, but I don't think anybody else does." But she felt unreasonably cheered by the idea that the vampires weren't out wandering out in the daylight, spontaneously combusting all over the place. She didn't want to see that happen to them… not even to Oliver.

Well, maybe to Oliver, sometimes. But not today.

The three men stared at her for a few seconds, then went back to studying the map, talking about perimeters and strategies for patrols, all kinds of things that Claire didn't figure really involved her. She finished her sandwich and walked into the living room, where tiny, wizened little Gramma Day was sitting in an overstuffed wing chair with her feet up, talking to Hannah. "Hey, little girl," Gramma Day said. "Sit yourself."

Claire perched, looking around the room. Most of the vampires were gone, either confined to cells or locked away for safety; some, they hadn't been able to stop. She couldn't seem to stop anxiously rubbing her hands together. Shane. Shane was supposed to be here. Richard Morrell had said that they'd arranged for the Bloodmobile to switch drivers, and that meant Shane would be coming soon for his rest period.

She needed him right now.

Gramma Day was looking at her with distant sympathy in her faded eyes. "You worried?" she asked, and smiled. "You got cause, I expect."

"I do?" Claire was surprised. Most adults tried to pretend it was all going to be okay.

"Sure thing, sugar. Morganville's been ruled by the vampires a long time, and they ain't always been the gentlest of folks. Been people hurt, people killed without reason. Builds up some resentment." Gramma nodded toward the bookcase. "Fetch me that red book right there, the one that starts with N."

It was an encyclopedia. Claire got it and set it in her lap. Gramma's weathered, sinewy fingers opened it and flipped pages, then handed it back. The heading said, New York Draft Riots, 1863.

The pictures showed chaos–mobs, buildings on fire. And worse things. Much, much worse.

"People forget," Gramma said. "They forget what can happen, if anger builds up. Those New York folks, they were angry because their men were being drafted to fight the Civil War. Who you think they took it out on? Mostly black folks, of all things. Folks who couldn't fight back. They even burned up an orphanage, and they'd have killed every one of those children if they'd caught them." She shook her head, clicking her tongue in disgust. "Same thing happened in Tulsa in 1921. Called it the Greenwood Riot, said black folks were taking away their business and jobs. Back in France, they had a revolution where they took all those fancy aristocrat folks and cut their heads off. Maybe it was their fault, and maybe not. It's all the same thing: you get angry, you blame it on some folks, and you make them pay, guilty or not. Happens all the time."

Claire felt a chill. "What do you mean?"

"I mean, you think about France, girl. Vampires been holding us all down a long time, just like those aristocrats, or that's how people around here think of it. Now, you think about all those folks out there with generations of grudges, and nobody really in charge right now. You think it won't go bad on us?"

There weren't enough shudders in the world. Claire remembered Shane's father, the fanatical light in his eyes. He'd be one of those leading a riot, she thought. One of those pulling people out of their houses as collaborators and turncoats and hanging them up from lampposts.

Hannah patted the shotgun in her lap. She'd put the paintball gun aside–honestly, it wasn't much use now, with the vampires missing in action. "They're not getting in here, Gramma. We won't be having any Greenwood in Morganville."

"I ain't so much worried about you and me," Gramma said. "But I'd be worried for the Morrells. They're gonna be coming for them, sooner or later. That family's the poster children for the old guard."

Claire wondered if Richard knew that. She thought about Monica, too. Not that she liked Monica–God, no–but still.

She thanked Gramma Day and walked back into the kitchen, where the policemen were still talking. "Gramma Day thinks there's going to be trouble," she said. "Not the vampires. Regular people, like those people in the park. Maybe Lisa Day, too. And she thinks you ought to look after your family, Richard."

Richard nodded. "Already done," he said. "My mom and dad are at City Hall. Monica's headed there, too." He paused, thinking about it. "You're right. I should make sure she gets there all right, before she becomes another statistic." His face had tightened, and there was a look in his eyes that didn't match the way he said it. He was worried.

Given what Claire had just heard from Gramma Day, she thought he probably ought to be. Joe Hess and Travis Lowe sent each other looks, too, and she thought they were probably thinking the same thing. She deserves it, Claire told herself. Whatever happens to Monica Morrell, she earned it.

Except the pictures from Gramma Day's book kept coming back to haunt her.

The front door banged shut, and she heard Hannah's voice–not an alarm, just a welcome. She spun around and went to the door of the kitchen… and ran directly into Shane, who grabbed her and folded his arms around her.

"You're here," he said, and hugged her so tightly that she felt ribs creak. "Man, you don't make it easy, Claire. I've been freaking out all damn day. First I hear you're off in the middle of Vamptown; then you're running around like bait with Eve–"

"You're one to talk about bait," Claire said, and pushed back to look up into his face. &qu